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兜兜转转一圈，日本作家里，最后我还是更喜欢芥川龙之介。这部电影杂糅《罗生门》和《竹林中》，结合得极妙。电影与小说的气质毕竟不同，而我也许不太喜欢电影的这个结尾。我很喜欢《竹林中》对“历史强加给女性的错误”的这层表达，也极佩服芥川书写得这么到位，黑泽明的镜头语言这么深刻。
芭芭爸爸
2024-11-29 06:17
Scorsesian themes & Hitchcockian drama in typical De Palma style. If Carlito’s way is considered as one the greatest classics of gangster movies, it’s deservedly so. The movie is bolstered by an overpowered cast & larger-than-life performances fleshing out fantastic characters. Among them, Sean Penn steals the show with an impressive portrait of a high-profile shyster turning into a Pesci-esque gangster. The script doesn’t reinvent the wheel: a crack-pusher comes out of the can, unsuccessfully tries to retire, can’t be saved by love, ends up lying on a stretcher. But it’s the perfection of the execution and the director’s signature that make for a succulent feast. Welcome to Vice City.
Mia换昵称了
2024-11-29 03:01
本以为引入日本元素是想表达港人应从日本身上寻求走出困境的方法，但最终出来的只不过是平庸的励志片，对空手道也没看到什么独到深入的理解。还有广场舞这种元素，跟故事完全不契合，非得硬塞进去，你以为在拍即兴艺术片吗？
冻结丶
2024-11-28 10:45